Showing posts with label meaning of plastic. Show all posts
Showing posts with label meaning of plastic. Show all posts
Wednesday, 25 April 2012
A Manifesto (of sorts)
I wanted to update this blog today, but I’ve been struggling to decide what to write about. Should I talk about the oil that goes into manufacturing plastics? Or one of the many impacts of plastic pollution, maybe one that isn’t so often broadcast on the news or the internet? Should I talk about what the word ‘plastic’ means, or has come to mean? Or what about the ironic stupidity of our culture in making something that is designed to last forever, but made for the express purpose of throwing it away after one use?
The Plastic Diaries
For any readers who are new to this blog, perhaps I should tell you that it started because I was worried about plastic, the fact that it’s everywhere, the fact that while many of us know that plastic pollution is a problem, very few people do (or try to do) anything about it. Plastic, and all the hazards associated with it, has, for the most part, become an accepted part of life. Yeah, we’re destroying the oceans, but it’s not like we can do anything about it, really, is there? Not unless I want to give up all my home comforts, sacrifice modern living. When I say plastic is everywhere, I mean it: look around the room you are sitting in right now. What can you see that contains plastic or is made of plastic? Or, let’s flip this question around, what can you see that is not plastic, or did not come wrapped in some form of plastic packaging? Because, actually, that’s probably an easier question for you to answer.
One day, I sat down, and that’s what I did: looked around the room, looked in my bag. Sitting in my little bedroom, tucked away in the south of Cornwall, typing this, without even getting up from my chair, I see: my computer, my lamp, my tv, my digibox, my fairy lights, some dvds, some cds, a biro, my mobile phone. It’s all pretty basic stuff, and I wouldn’t have any of it if there was no plastic. Heck, chances are I probably wouldn’t even be sitting here if there was no plastic, because modern medicine would just not exist. So it’s pretty cool stuff. We can bend and manipulate it into a million different objects, we can make it hard and durable or soft and pliant. Incredible. So, in many ways I love plastic and, oh boy, does it serve its weight in gold at times.
Invisible Costs
But therein lies the problem. Plastic should be worth its weight in gold - at least. But its cheap. The word ‘plastic’ has even become synonymous with the word ‘cheap’. Alongside its infinite adaptability, this is one of the reasons, I think, that it’s the most widely used material in the world.
But there’s a whole lot more to plastic than these two things. Wrapped up inside that pretty little package is a bunch of stuff that we don’t see: the chemical poisons that constitute part of its make-up, the environmental consequences of its disposal, the environmental consequences of the sheer volume of plastic that we dispose of on a daily basis; the resources, oil and water and energy, that go into its manufacture just for us to discard them a day, a week, a month later. None of this is taken into account in the monetary value we put on plastic. If it was, most of us wouldn’t be able to afford it, not in daily terms, not for just that sweet or chocolate wrapping. And if it was, the plastic companies wouldn’t be able to exert such control over our consumption the way they do today - because if it cost us in monetary terms what we give up to be able to hold it in our hands, we wouldn’t be buying it and using it so regardlessly.
This is a theory that is being used by a lot of environmentalists today: that we should be paying for more than just the materials we hold in our hands, that we should also be paying for the consequences that result from the manufacture and use of that material.
I had dinner with some friends the other night. K & D are quite the average family. One young child, both of them working full time, and they bought their first home about a year ago. They were earning £19 or £20k a year, each, but have just had their salaries knocked back to about £16k due to an enforced contract change by the company they work for, so money and the ability to pay their mortgage is on their minds.
“Do you ever shop in Aldi?’ K asked me. Truthfully, no.
“Only £1.50,” she says, pointing to something on the counter. “Half what we’d pay for a brand.” She goes on to regale me with all the other bargains she’s found, and the fact that they’re just as good as what she was buying before. I’ve no doubt they taste just as good, but I can’t help thinking about what those cheaper prices mean.
“And yesterday I got a bag of potatoes for just 63p,” she finishes. My first thought is for the farmer. I’m sure it must have cost him a lot more than 63p to grow those potatoes. And if he did manage to do it that cheaply, what chemicals did he have to spray over the crops and the earth to do so? And what will those chemicals do his fields, to the water table?
Thinking about plastic and thinking about me
I started this blog because I wanted to think more about plastic, because I wanted to think more about what plastic meant to me, and because I wanted to document my attempts at giving up plastic. Have I achieved any of these things? Yes, and no, is the answer I think I’d have to give. I reduced my plastic intake quite a lot, and I’m proud of what I achieved. But I don’t seem to have had much of an affect on the people around me. Some of the struggles I had with plastic and my now ex-boyfriend, Bron, are well documented within this blog. And now that I’m back at my parents house, I seem to be having even less of an affect. Have I stopped trying? Should I be trying harder? Should I be stronger-willed? I certainly still care, and being around my colleagues from Hevva Hevva / Shortcourse has been inspiring, to see what they are achieving.
Plastic is still a problem. And its an international one. In some ways it’s more talked about today than it was when I first started The Plastic Diaries three years ago - there are even a few books about it now - but in some ways its less talked about too. Its an accepted problem, like climate change, that we know is out there, but as a society we don’t have enough immediate jeopardy to inspire us to act, or, at least, not to act ‘big’ enough. Why are western countries - the ones who are the biggest consumers of plastic - the ones who are doing the least about controlling it? Why do Ireland, Wales, India, have plastic bag bans or taxes, but England doesn’t? If we can’t even get that right, what hope do we have of achieving anything else? What is it going to take to inspire change?
Sunday, 22 August 2010
But what does 'Plastic' mean?
I have been thinking about what the word plastic has come to mean within our society. In the research I’ve been doing for the book I’m trying to write about plastic, I keep coming across one particular quote.
‘I want to say one word to you; just one word,’ says Mr. McGuire to Benjamin Braddock in the iconic 1967 movie, The Graduate.
‘Yes, sir,’ replies Dustin Hoffman’s character, Benjamin.
‘Are you listening?’
‘Yes, I am.’
‘Plastics,’ says Mr McGuire.
‘Exactly how do you mean?’
‘There’s a great future in plastics. Think about it. Will you think about it?’
In the 1960’s plastic was just coming into its own. It was the way forward, the chosen material of the space age. Despite being mid-Cold War, the 50’s and 60’s are generally regarded as being optimistic and forward-looking decades, and – with the launch of post-war economy-boosting plans to get everyone buying, buying, buying – decades of material affluence. ‘The optimism of life in those decades was accompanied by a ‘throw-away’ approach to material goods, a short-term relationship between people and their possessions,’ writes Penny Sparke in The Genius of Design. And this is very much epitomised by the now famous article in Life magazine, ‘Throwaway Living: disposable items cut down household chores’. Plastic was the future, the ‘stuff of dreams’ (Penny Sparke).
So when did this change? I’ve started asking people what they think of when they hear the word ‘plastic’ – people who aren’t aware of my particular dislike of plastic, and people who I know aren’t particularly eco-warrior-esque, as I figured they wouldn’t have too many pre-existing ideas about the environmental connotations of plastic. Here are some of the responses I’ve had so far:
‘Barbie. Fragile, brittle.’
‘Lego, cheap, oil, chemicals, bags.’
‘Cheap and nasty!’
‘False. Cheap and nasty, cosmetic surgery etc…’
Hmmm, not too flattering, I must say. Cheap is true – after all, the cheapness of the material is one of the reasons why it’s become so ubiquitous. And nasty – perhaps nasty because plastic doesn’t age well, it flakes, it becomes brittle. And maybe nasty because it’s cheap. Even though many people seek to buy the cheaper things, being cheap is still an insult. As plastic products flooded the post-war market, quantity took over from quality as plastic was substituted for other longer-lasting and more expensive materials such as steel and ceramics. ‘Cheaper, lower quality plastic products had entered the civilian marketplace,’ writes Penny Sparke. ‘Doubts began to emerge about the materials’ relationship with good design; consumers began to be anxious that they were being sold ‘vulgar’ or tasteless goods, and disenchantment set in.’
But – and this is one of the most interesting things for me – this idea of plastic as cheap and nasty, and representative of bad taste, has led the word to take on a whole different meaning. ‘In the sixties, you could always insult a guy by calling him ‘plastic,’’ Elizabeth Royte tells her readers in Garbage Land. ‘The word became a kind of shorthand for a suburban life of conspicuous consumption and upward striving.’ Plastic people, plastic culture – it’s become synonymous with fleeting, throwaway ideas, with being shallow and worthless. Everybody understands this, and this concept has fully insinuated itself within society and language.
And yet the use of plastic has risen and risen, and is now the most produced material in the world, millions of tonnes of it every single year. If everybody hates it and looks down their noses at it, how did this happen? Five minutes after I asked a lady at work what she thought of plastic – to which her response was, ‘I don’t like it’ – she’s tucking into her plastic-sealed lunch. Is it because plastic as a material was just so innovative we couldn’t help but be tempted by it and what it could offer us? The more I think about it, the more I realise that humans are short-term thinkers. We look for easy solutions, the quick fix, the lazy option. Plastic has provided this for us in ways that were probably never even imagined a hundred or a hundred and fifty years ago. How could we say no once it was there?
Let’s face it, plastic revolutionised the way I live. It made things affordable to people who could never have afforded such things if they weren’t made of plastic, and who am I to say they shouldn’t be allowed to have them if they want them? Who am I to tell someone they can’t strive for a better lifestyle? And as long as people were buying plastic – despite the increasingly negative thoughts being attached to it – companies continued to make it.
And so here we are.
Penny Sparke’s book, The Genius of Design, was produced to coincide with a recent BBC2 series of the same name. It was a five part series looking at all sorts of different aspects of design, including a whole episode dedicated to plastic (‘Better Living through Chemistry’), which was incredibly fascinating. Unfortunately, the episode doesn’t seem to be available to watch online at the moment, but the whole series can be bought on DVD – ironic, given as DVD’s are a typical example of how plastic has shaped modern living.
‘I want to say one word to you; just one word,’ says Mr. McGuire to Benjamin Braddock in the iconic 1967 movie, The Graduate.
‘Yes, sir,’ replies Dustin Hoffman’s character, Benjamin.
‘Are you listening?’
‘Yes, I am.’
‘Plastics,’ says Mr McGuire.
‘Exactly how do you mean?’
‘There’s a great future in plastics. Think about it. Will you think about it?’
In the 1960’s plastic was just coming into its own. It was the way forward, the chosen material of the space age. Despite being mid-Cold War, the 50’s and 60’s are generally regarded as being optimistic and forward-looking decades, and – with the launch of post-war economy-boosting plans to get everyone buying, buying, buying – decades of material affluence. ‘The optimism of life in those decades was accompanied by a ‘throw-away’ approach to material goods, a short-term relationship between people and their possessions,’ writes Penny Sparke in The Genius of Design. And this is very much epitomised by the now famous article in Life magazine, ‘Throwaway Living: disposable items cut down household chores’. Plastic was the future, the ‘stuff of dreams’ (Penny Sparke).So when did this change? I’ve started asking people what they think of when they hear the word ‘plastic’ – people who aren’t aware of my particular dislike of plastic, and people who I know aren’t particularly eco-warrior-esque, as I figured they wouldn’t have too many pre-existing ideas about the environmental connotations of plastic. Here are some of the responses I’ve had so far:
‘Barbie. Fragile, brittle.’
‘Lego, cheap, oil, chemicals, bags.’
‘Cheap and nasty!’
‘False. Cheap and nasty, cosmetic surgery etc…’
Hmmm, not too flattering, I must say. Cheap is true – after all, the cheapness of the material is one of the reasons why it’s become so ubiquitous. And nasty – perhaps nasty because plastic doesn’t age well, it flakes, it becomes brittle. And maybe nasty because it’s cheap. Even though many people seek to buy the cheaper things, being cheap is still an insult. As plastic products flooded the post-war market, quantity took over from quality as plastic was substituted for other longer-lasting and more expensive materials such as steel and ceramics. ‘Cheaper, lower quality plastic products had entered the civilian marketplace,’ writes Penny Sparke. ‘Doubts began to emerge about the materials’ relationship with good design; consumers began to be anxious that they were being sold ‘vulgar’ or tasteless goods, and disenchantment set in.’
But – and this is one of the most interesting things for me – this idea of plastic as cheap and nasty, and representative of bad taste, has led the word to take on a whole different meaning. ‘In the sixties, you could always insult a guy by calling him ‘plastic,’’ Elizabeth Royte tells her readers in Garbage Land. ‘The word became a kind of shorthand for a suburban life of conspicuous consumption and upward striving.’ Plastic people, plastic culture – it’s become synonymous with fleeting, throwaway ideas, with being shallow and worthless. Everybody understands this, and this concept has fully insinuated itself within society and language.
And yet the use of plastic has risen and risen, and is now the most produced material in the world, millions of tonnes of it every single year. If everybody hates it and looks down their noses at it, how did this happen? Five minutes after I asked a lady at work what she thought of plastic – to which her response was, ‘I don’t like it’ – she’s tucking into her plastic-sealed lunch. Is it because plastic as a material was just so innovative we couldn’t help but be tempted by it and what it could offer us? The more I think about it, the more I realise that humans are short-term thinkers. We look for easy solutions, the quick fix, the lazy option. Plastic has provided this for us in ways that were probably never even imagined a hundred or a hundred and fifty years ago. How could we say no once it was there?
Let’s face it, plastic revolutionised the way I live. It made things affordable to people who could never have afforded such things if they weren’t made of plastic, and who am I to say they shouldn’t be allowed to have them if they want them? Who am I to tell someone they can’t strive for a better lifestyle? And as long as people were buying plastic – despite the increasingly negative thoughts being attached to it – companies continued to make it.
And so here we are.
Penny Sparke’s book, The Genius of Design, was produced to coincide with a recent BBC2 series of the same name. It was a five part series looking at all sorts of different aspects of design, including a whole episode dedicated to plastic (‘Better Living through Chemistry’), which was incredibly fascinating. Unfortunately, the episode doesn’t seem to be available to watch online at the moment, but the whole series can be bought on DVD – ironic, given as DVD’s are a typical example of how plastic has shaped modern living.
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